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Staff Edit: Discrimination

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AHAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

People keep saying Hollywood is entertainment like entertainment is somehow a harmless little word, like you can just put the popcorn in the microwave and watch a man in a cape fly through a building while the Nephilim are sitting three rows behind you taking notes. NO. Absolutely not. Because why are there always giants? Why are there always fallen angels? Why does every movie have some ancient bloodline, some forbidden chamber, some glowing doorway, some guy named Michael who knows TOO MUCH?

You think that's CGI? CGI stands for COME GIANTS IN, obviously. Nobody wants to talk about this because everybody is distracted by the red carpet. RED CARPET. Why red? Why carpet? Blood on the carpet. Nephilim blood. Hollywood has been walking over it for decades and calling it fashion week.

And don't tell me the Bible doesn't say Hollywood because obviously it couldn't because HOLLYWOOD DIDN'T EXIST YET. That's how time works. That's exactly what they WANT you to think. "Oh, the Bible was written thousands of years ago." Exactly. So the prophecy had to wait for the movie studios. Do you understand? THE MOVIE STUDIOS.

I've seen the movies. I've seen the towers. I've seen the wings. I've seen the glowing eyes. I've seen the children who mysteriously know ancient languages despite being six years old and living in Ohio. You cannot tell me that's normal. One minute they're eating cereal and the next minute they're speaking Aramaic backwards into a mirror while a goat stares directly into the camera. That's not cinema. That's an HR violation from the BOOK OF ENOCH.

And Enoch! Everybody forgets Enoch! Why? Because Enoch is inconvenient. Enoch goes up there, sees things he wasn't supposed to see, comes back with a notebook full of heavenly bureaucracy, and suddenly everybody's like, "Well, that's apocryphal." APOCRYPHAL TO WHO? The Nephilim don't care about your canon committee!

Hollywood loves apocalypse movies because they KNOW. They know something. Every time you see a city exploding in a trailer, somewhere in Los Angeles an executive has just received an email saying "Phase 7 is ready." Phase 7 of WHAT? Nobody asks. They just applaud because the explosions are really good.

And the actors! I'm not saying every actor is a Nephilim. I'm saying you should ask yourself why some actors have cheekbones sharp enough to cut through the veil between dimensions. I'm saying the casting director keeps hiring people who look like they were sculpted out of moonlight and tax fraud. Coincidence? Sure. That's what they want.

Then there's the obsession with immortality. Vampires. Superheroes. Clones. Time travel. Reincarnation. Endless sequels. Nobody wants to die in Hollywood! WHY? Because perhaps death is merely an inconvenience when your contractual obligations extend beyond the seventh seal.

And what is a sequel? A resurrection.

What is a franchise? A dynasty.

What is a cinematic universe? A PANTHEON.

WAKE UP.

They call it the "Marvel Cinematic Universe" like that's subtle. Universe! Cinematic! Marvel! Three words that sound innocent until you realize you're sitting in a theater surrounded by twelve thousand people watching a glowing cube being worshipped by CGI armies.

And don't even get me started on the rings.

RINGS.

Why does Hollywood keep putting rings in everything? Engagement rings, magical rings, cursed rings, glowing rings, portals that are basically rings, circles of fire, circles of stones. Circular symbolism everywhere. You know who loves circles? Occultists. You know who loves occultists? The Nephilim. You know who loves the Nephilim? Hollywood accounting departments apparently, because somehow the budget is always $247 million and nobody can explain where $80 million went.

"Visual effects."

VISUAL EFFECTS FOR WHAT? THE GIANT IN THE CEILING?

And then they put an owl in the background. Always an owl. Don't say it's just an owl. Nobody puts an owl somewhere accidentally anymore. You think that bird is there for atmosphere? That bird has a production credit.

The Nephilim aren't necessarily hiding underground. Maybe they're hiding in plain sight. Maybe they've been hiding behind prosthetics, stage names, publicists and sunglasses. Maybe that's why celebrities never seem to age. Maybe that's why some of them disappear for three years and return looking exactly the same except somehow younger and more expensive.

I'm not accusing anybody.

I'm observing.

There's a difference.

And the Book of Enoch is sitting there like a forgotten emergency manual while Hollywood keeps making movies about fallen angels, giants, forbidden knowledge, hybrid creatures, ancient watchers, divine punishment and the end of the world. But apparently I'm supposed to believe this is because "those themes are popular."

POPULAR WITH WHO?

THE NEPHILIM?

Maybe.

Probably.

I don't know.

But I do know one thing: if I walk into a movie theater and the opening scene is a gigantic pale man standing on a mountain while seven hooded figures chant in a language nobody recognizes, I'm leaving immediately. I'm taking my popcorn. I'm taking the receipt. I'm taking the little cup holder. I'm taking the NEPHILIM EVIDENCE.

Because when the seventh seal opens, I don't want to be sitting in Row H eating nachos while Hollywood says, "Previously on Earth."

No.

I will be at home.

With the Bible.

And Enoch.

And a flashlight.

Because the last thing the Nephilim are going to expect is a man with a flashlight who has finally figured out that the real cinematic universe was THE GIANTS WE MET ALONG THE WAY.

And that's when the credits will roll.

Except they won't.

Because the credits are also a ritual.

I KNEW IT.

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Vomiting

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Not to be confused with Regurgitation (digestion).

"Vomit", "Emesis", "Heaving", "Puke", and "Throw up" redirect here. For other uses, see Vomit (disambiguation). For the butterfly genus, see Emesis (genus). For the 2021 Argentine film, see PussyCake. For the sailing terms, see Heaving toand Careening. For the municipality of Albania, see Pukë. For the style of graffiti, see Throw up (graffiti). For other uses, see Puke (disambiguation).

Vomiting (scientifically known as emesis, and otherwise known as puking, and throwing up)^[a] is the forceful expulsion of the contents of one's stomach through the mouth and sometimes the nose.^[1] The vomited contents are known as vomit or vomitus.^[b]

Vomiting
Other names	Emesis, throwing up, puking, barfing, spewing, upchucking, heaving, hurling, ralphing, being sick, urping, yacking, yorking
14th-century illustration of vomiting from the Casanatense Tacuinum Sanitatis
Specialty	Gastroenterology
Symptoms	Nausea
Complications	Aspiration, electrolyte and water loss, damage to the enamel of the teeth, tear of the esophageal mucosa
Risk factors	History of migraine, history of PONV or motion sickness in a child's parent or sibling, better ASA physical status, intense preoperative anxiety, certain ethnicities or surgery types, decreased perioperative fluids, crystalloid versus colloid administration

Vomiting can be the result of ailments such as food poisoning, gastroenteritis, pregnancy, motion sickness, or hangover; or it can be an after effect of diseases such as brain tumors, elevated intracranial pressure, or overexposure to ionizing radiation.^[2] The feeling that one is about to vomit is called nausea; it often precedes, but does not always lead to vomiting. Impairment due to alcohol, anesthesia, or other sedatives can cause inhalation of vomit. In severe cases, where dehydrationdevelops, intravenous fluid may be required. Antiemetics are sometimes necessary to suppress nausea and vomiting. Self-induced vomiting can be a component of an eating disorder such as bulimia nervosa, and is itself now classified as an eating disorder on its own, purging disorder.

Complications

Pathophysiology

Causes

Treatment

Epidemiology

Society and culture

See also

Notes

References

External links

Last edited 23 days ago by MuzikJunky

staff edit: discrimination 

staff edit: discrimination 

Staff Edit: Obscene Content

Staff Edit: Discrimination

Staff Edit: Discrimination

AHAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

People keep saying Hollywood is entertainment like entertainment is somehow a harmless little word, like you can just put the popcorn in the microwave and watch a man in a cape fly through a building while the Nephilim are sitting three rows behind you taking notes. NO. Absolutely not. Because why are there always giants? Why are there always fallen angels? Why does every movie have some ancient bloodline, some forbidden chamber, some glowing doorway, some guy named Michael who knows TOO MUCH?

You think that's CGI? CGI stands for COME GIANTS IN, obviously. Nobody wants to talk about this because everybody is distracted by the red carpet. RED CARPET. Why red? Why carpet? Blood on the carpet. Nephilim blood. Hollywood has been walking over it for decades and calling it fashion week.

And don't tell me the Bible doesn't say Hollywood because obviously it couldn't because HOLLYWOOD DIDN'T EXIST YET. That's how time works. That's exactly what they WANT you to think. "Oh, the Bible was written thousands of years ago." Exactly. So the prophecy had to wait for the movie studios. Do you understand? THE MOVIE STUDIOS.

I've seen the movies. I've seen the towers. I've seen the wings. I've seen the glowing eyes. I've seen the children who mysteriously know ancient languages despite being six years old and living in Ohio. You cannot tell me that's normal. One minute they're eating cereal and the next minute they're speaking Aramaic backwards into a mirror while a goat stares directly into the camera. That's not cinema. That's an HR violation from the BOOK OF ENOCH.

And Enoch! Everybody forgets Enoch! Why? Because Enoch is inconvenient. Enoch goes up there, sees things he wasn't supposed to see, comes back with a notebook full of heavenly bureaucracy, and suddenly everybody's like, "Well, that's apocryphal." APOCRYPHAL TO WHO? The Nephilim don't care about your canon committee!

Hollywood loves apocalypse movies because they KNOW. They know something. Every time you see a city exploding in a trailer, somewhere in Los Angeles an executive has just received an email saying "Phase 7 is ready." Phase 7 of WHAT? Nobody asks. They just applaud because the explosions are really good.

And the actors! I'm not saying every actor is a Nephilim. I'm saying you should ask yourself why some actors have cheekbones sharp enough to cut through the veil between dimensions. I'm saying the casting director keeps hiring people who look like they were sculpted out of moonlight and tax fraud. Coincidence? Sure. That's what they want.

Then there's the obsession with immortality. Vampires. Superheroes. Clones. Time travel. Reincarnation. Endless sequels. Nobody wants to die in Hollywood! WHY? Because perhaps death is merely an inconvenience when your contractual obligations extend beyond the seventh seal.

And what is a sequel? A resurrection.

What is a franchise? A dynasty.

What is a cinematic universe? A PANTHEON.

WAKE UP.

They call it the "Marvel Cinematic Universe" like that's subtle. Universe! Cinematic! Marvel! Three words that sound innocent until you realize you're sitting in a theater surrounded by twelve thousand people watching a glowing cube being worshipped by CGI armies.

And don't even get me started on the rings.

RINGS.

Why does Hollywood keep putting rings in everything? Engagement rings, magical rings, cursed rings, glowing rings, portals that are basically rings, circles of fire, circles of stones. Circular symbolism everywhere. You know who loves circles? Occultists. You know who loves occultists? The Nephilim. You know who loves the Nephilim? Hollywood accounting departments apparently, because somehow the budget is always $247 million and nobody can explain where $80 million went.

"Visual effects."

VISUAL EFFECTS FOR WHAT? THE GIANT IN THE CEILING?

And then they put an owl in the background. Always an owl. Don't say it's just an owl. Nobody puts an owl somewhere accidentally anymore. You think that bird is there for atmosphere? That bird has a production credit.

The Nephilim aren't necessarily hiding underground. Maybe they're hiding in plain sight. Maybe they've been hiding behind prosthetics, stage names, publicists and sunglasses. Maybe that's why celebrities never seem to age. Maybe that's why some of them disappear for three years and return looking exactly the same except somehow younger and more expensive.

I'm not accusing anybody.

I'm observing.

There's a difference.

And the Book of Enoch is sitting there like a forgotten emergency manual while Hollywood keeps making movies about fallen angels, giants, forbidden knowledge, hybrid creatures, ancient watchers, divine punishment and the end of the world. But apparently I'm supposed to believe this is because "those themes are popular."

POPULAR WITH WHO?

THE NEPHILIM?

Maybe.

Probably.

I don't know.

But I do know one thing: if I walk into a movie theater and the opening scene is a gigantic pale man standing on a mountain while seven hooded figures chant in a language nobody recognizes, I'm leaving immediately. I'm taking my popcorn. I'm taking the receipt. I'm taking the little cup holder. I'm taking the NEPHILIM EVIDENCE.

Because when the seventh seal opens, I don't want to be sitting in Row H eating nachos while Hollywood says, "Previously on Earth."

No.

I will be at home.

With the Bible.

And Enoch.

And a flashlight.

Because the last thing the Nephilim are going to expect is a man with a flashlight who has finally figured out that the real cinematic universe was THE GIANTS WE MET ALONG THE WAY.

And that's when the credits will roll.

Except they won't.

Because the credits are also a ritual.

I KNEW IT.

AAAAAAAAAAAAAAAAAAAAAAAAAAaaaaaaaaAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAaaaaaaaAAAAAAAAA

Let me join